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And there’s something really nice and relaxing about that.” –Randy Snight of D.C. It doesn’t feel like it’s plastered in corporate sponsorships. And there’s something really nice and relaxing about that.” “ I liked coming out today because it has a good balance between spur-of-the-moment and Pride with a purpose.
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I’m sure they’re here, but it feels more like we’re just a group of people walking down the street. It doesn’t feel like it’s plastered in corporate sponsorships and there’s a lot of people working to make the event run smoothly. “It seemed under-planned, which is what I think most of the original Pride demonstrations were. “I liked coming out today because it has a good balance between spur-of-the-moment and Pride with a purpose,” said Randy Snight, 32, of Washington, D.C. Many participants said they enjoyed the more informal feeling and spirit of togetherness they felt during the walk, as compared to an official Pride parade. There is so much more work to do and I know we are committed and we understand the importance of this movement and our roles of leadership in this ongoing movement.” “We need, still, protections around employment and housing. Now we need to pass the Equality Act, we need to make sure that our transgender community and our youth are all protected. “We celebrate all of the accomplishments - finally marriage is the law of the land. “There’s so much more to do,” Harris said. Following the rally, organizers representing local nonprofits or businesses, each represented by a decorated vehicle embarked on a several-mile-long “Pridemobile parade.”Īt one point, Harris stopped to address the crowd, once again expressing the Biden-Harris administration’s support for greater LGBTQ nondiscrimination protections, which could be achieved by passing the Equality Act, a comprehensive piece of legislation that would write LGBTQ protections into federal law. They ultimately settled on a walk from Dupont Circle to Freedom Plaza, where they held a rally to celebrate Pride, local organizations and establishments, and the various communities within the LGBTQ spectrum.
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Department of Health announced that vaccinated people could gather in closer quarters without masking, the city began relaxing some of its restrictions on social distancing, accelerating the reopening of the city’s bars and restaurants and reaching full capacity on June 11.Ĭapital Pride was faced with a dilemma: Insufficient time to plan or carry out a full-capacity Pride parade and festival, but the ability to do something with larger crowds. to celebrate Capital Pride, which for many marked the first time they had been in a public setting with a large amount of people since the start of the COVID-19 pandemic last year.Īlthough plans for Pride-themed celebrations had been put in place for months ahead of the weekend, many had assumed that pandemic restrictions would lead to most of the events being virtual or socially distanced. On Saturday, June, 12, thousands of residents and visitors packed the streets of Washington, D.C. L'Enfant's design endures in modern D.C., where wide avenues cut angles across the city's grid.Capital Pride Walk and Rally 2021 - Photo: Ted Eytan. To create her design, Thalhammer took inspiration from Pierre L'Enfant, the French-American engineer and city planner who was tasked by George Washington with creating a plan for a new federal district along the Potomac. "You come and you sit in the piece and it shifts the energy of the space." "I really wanted to do a piece that would help bring a balance and a calm and also a joy and a wonder to the city," says Thalhammer, who splits her time between D.C. Its opening now coincides with Pride month, creating a colorful new space for gatherings in the newly reopened city. Thalhammer designed the work in the fall of 2020, when social distancing was a pressing concern. Unpainted sections of lawn provide walking paths, and equilateral triangles lined in pink define spaces for people to sit, separated by six feet of distance. The installation, titled Equilateral Network, was designed to create spaces for social distancing with its triangular grid. The wide lawn of the National Building Museum in Washington, D.C., has taken on a riot of rainbow hues in a geometric mural designed by artist Lisa Marie Thalhammer. The art installation E quilateral Network by Lisa Marie Thalhammer now graces the lawn of the National Building museum in Washington, D.C.